Part 5 Prado Museum – Vernet, Claude Joseph -- Paisaje romano a la puesta del sol
1782, 155 cm x 57 cm, Lienzo, Óleo. Claude Joseph Vernet
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The middle ground is defined by an architectural element – a monumental structure that resembles a Roman archway or gate – flanked by trees and buildings receding into the distance. This gateway serves as a visual focal point, drawing the eye further into the landscape. The placement of this structure suggests a transition between spaces, perhaps symbolizing entry to a more significant area or a different realm.
The background is characterized by a soft, diffused light emanating from the setting sun. Hues of pink and orange blend with the fading blue of the sky, creating an atmospheric perspective that softens the details of distant structures. The landscape beyond the gate appears hazy and indistinct, contributing to the overall sense of depth and mystery. A pyramid-like structure is visible on the right side of the composition, adding a touch of antiquity and grandeur to the scene.
Subtly, the painting conveys a feeling of tranquility and contemplation. The figures in the foreground seem absorbed in their own activities, seemingly unperturbed by the monumental landscape surrounding them. This juxtaposition highlights the contrast between human scale and the immensity of history and nature. The subdued lighting and muted color palette contribute to an atmosphere of quietude and nostalgia, evoking a sense of time passing and the enduring presence of ancient civilizations. The artist’s choice to depict ordinary people within this grand setting suggests a desire to connect viewers with the everyday realities of life in a historically significant location.