Part 5 Prado Museum – Coecke van Aelst, Pieter -- La Anunciación. La Adoración de los Reyes Magos. La Adoración de ángeles y pastores
Segundo cuarto del siglo XVI, 81 cm x 127 cm, Tabla, Óleo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The central panel showcases a crowded scene centered around a figure held in Mary’s arms. The composition is dense with figures – royalty, attendants, and onlookers – all converging on this focal point. A man, richly adorned and likely representing one of the Magi, kneels offering a small animal. Marys expression conveys a mixture of serenity and gentle acceptance. The architectural setting, replete with columns and arches, creates depth and emphasizes the grandeur of the occasion.
The right panel shifts focus to a more intimate gathering. A woman cradles an infant in her arms, while other figures – some older, some younger – observe from nearby. A sense of familial warmth pervades this section, contrasting slightly with the formality of the central scene. The background reveals a distant landscape, hinting at a broader world beyond the immediate narrative.
Several subtexts emerge upon closer examination. The inclusion of both regal and humble figures suggests a universal appeal to the event being depicted – a message accessible to all social strata. The juxtaposition of the angel’s arrival with Marys reading implies a connection between divine revelation and intellectual pursuit, suggesting that faith can coexist with learning. The varied expressions on the faces of the onlookers reveal a spectrum of emotions – awe, reverence, curiosity, and perhaps even skepticism – adding layers of complexity to the narrative. The architectural details, while contributing to the overall sense of grandeur, also serve to compartmentalize the scene, creating distinct zones for each group of figures. The color scheme, dominated by deep reds, blues, and golds, reinforces the painting’s opulent character and contributes to its visual richness.