Part 5 Prado Museum – Maella, Mariano Salvador -- Carlota Joaquina, infanta de España, reina de Portugal
1785, 177 cm x 116 cm, Lienzo, Óleo.
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Here we see a delicate pink gown, heavily embroidered with floral motifs along the hemline and sleeves. The fabric drapes gracefully, revealing the fashionable silhouette of the period – a wide skirt supported by panniers, a fitted bodice, and an elaborate white lace chemise visible at the neckline. A towering confection of powdered hair, adorned with flowers and feathers, completes her appearance, signifying status and adherence to contemporary trends.
A small canary perches on her outstretched finger, drawing attention to this detail. The bird is contained within an ornate cage positioned just behind her, partially obscuring a table draped in dark fabric. This juxtaposition of the caged bird and its proximity to the woman’s hand introduces a layer of symbolic complexity. It could be interpreted as representing both captivity and control – the birds freedom curtailed while simultaneously being presented as a prized possession.
The background is deliberately subdued, consisting primarily of heavy green draperies and classical columns that suggest an interior space within a grand residence. The limited depth of field focuses attention on the subject, reinforcing her importance. The dark floor covering adds to the sense of formality and luxury.
Subtly, the painting conveys themes of power, femininity, and societal expectations. The woman’s posture and attire communicate authority and refinement, while the presence of the caged bird hints at a more nuanced commentary on freedom and constraint within a hierarchical social structure. The overall effect is one of carefully constructed elegance designed to project an image of nobility and grace.