Part 5 Prado Museum – Rizi, Fray Juan Andrés -- La cena de San Benito
Siglo XVII, 185 cm x 216 cm, Lienzo, Óleo.
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The table itself is draped with a white cloth, upon which are arranged modest provisions: a loaf of bread, a pitcher, and two plates. These objects suggest a meal, but their simplicity underscores an ascetic lifestyle. A small window, high on the wall behind the table, allows for a glimpse of exterior light, though it remains muted and distant. The walls themselves appear bare and unadorned, contributing to the overall sense of austerity and confinement.
The artist’s use of chiaroscuro is particularly noteworthy. The strong contrast between light and shadow creates a palpable atmosphere of introspection and spiritual contemplation. The candles glow draws attention to the faces of the figures, emphasizing their expressions and adding an element of mystery. The darkness that envelops much of the scene serves to isolate them, suggesting a private moment or ritual.
Subtleties within the painting hint at deeper meanings. The downward gaze of the seated figure could signify humility, penitence, or perhaps a burden of responsibility. The act of holding the candle by the standing figure might symbolize guidance, faith, or divine presence. The sparse meal suggests renunciation and self-denial. The window, while offering a suggestion of external world, remains distant, reinforcing the sense of inward focus.
The overall effect is one of quiet reverence and spiritual discipline. It evokes themes of sacrifice, contemplation, and devotion within a framework of simplicity and restraint.