Part 5 Prado Museum – Cano, Alonso -- El milagro del pozo
1638 1640, 216 cm x 149 cm, Lienzo, Óleo. Alonso Cano
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The figures gathered at the well appear to be women and children, their expressions conveying a mixture of desperation and hope. One woman clings to a child, while another reaches out towards the man with an imploring gaze. A young girl peers over the edge of the well, her posture suggesting curiosity or concern. At the base of the structure, a small, naked child crouches near a dog, adding a layer of vulnerability and pathos to the scene.
The architecture behind the group is rendered in stark vertical lines, creating a sense of enclosure and emphasizing the figures’ confinement within this space. The wells mechanism – a pulley system with ropes and a bucket – is visible, suggesting a laborious process for obtaining water.
A palpable tension permeates the work. The man’s gesture implies intervention or blessing, while the group’s collective posture speaks to their need and reliance on his assistance. The subdued palette of browns, ochres, and muted reds contributes to the somber mood, reinforcing the gravity of the situation depicted. The contrast between light and shadow is crucial; it not only highlights the central figure but also amplifies the emotional intensity of the moment.
Subtly, the painting explores themes of faith, charity, and divine intervention in times of hardship. The presence of children underscores the vulnerability of those affected by scarcity or misfortune. The dog’s inclusion adds a further element of empathy, suggesting shared suffering and dependence on external aid. Overall, the work conveys a narrative of hope emerging from adversity, mediated through a figure perceived as possessing extraordinary power.