Part 5 Prado Museum – Maestro de la Madonna della Misericordia -- San Eloy ante el rey Clotario
1370, 35 cm x 39 cm, Tabla, Dorado; Témpera.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the right of these two figures, a young male figure, presumably a saint given the halo surrounding his head, is positioned with arms crossed, observing the interaction with a contemplative expression. His nudity contrasts sharply with the elaborate clothing of the other individuals present, drawing attention to his spiritual purity and detachment from worldly concerns.
Further along the right side, another woman, also veiled and seemingly of high status, stands near an ornate chest or coffer. Her hands are raised in what could be interpreted as a gesture of blessing or presentation. A young boy is positioned beside her, looking towards the king with an attentive gaze. The architectural backdrop, rendered in muted gold tones, creates a sense of depth and grandeur while simultaneously flattening the perspective, characteristic of the period’s artistic conventions.
The arrangement suggests a narrative moment – a royal audience or intercession. The saints presence implies divine intervention or advocacy on behalf of the man approaching the king. The woman with the chest might represent wealth or patronage offered to secure favor from the monarch. Subtly, there is an interplay between earthly power and spiritual authority, highlighting themes of piety, justice, and perhaps even political maneuvering within a medieval context. The restrained color palette and stylized figures contribute to a sense of formality and reverence, reinforcing the solemnity of the depicted event.