Part 5 Prado Museum – Fortuny Marsal, Mariano; Madrazo y Garreta, Raimundo de -- Jardín de la casa de Fortuny
1872, 40 cm x 28 cm, Tabla, Óleo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The garden itself is densely planted with vegetation. Tall, slender cypress trees dominate the left side of the scene, their dark green foliage contrasting sharply with the lighter tones of the wall and the flowering plants clustered around it. A profusion of climbing vines covers much of the wall’s surface, softening its starkness and creating a sense of abundance. The ground is covered in small stones, adding texture to the foreground.
A dog lies languidly near the bottom edge of the painting, seemingly undisturbed by the womans presence. It reinforces the atmosphere of tranquility and domesticity. A fountain or decorative structure sits on a raised platform, partially obscured by foliage; its details are difficult to discern but it adds another layer of visual interest.
The artist’s brushwork is loose and expressive, capturing the dappled light and vibrant colors characteristic of the region. The overall effect is one of idyllic beauty and quiet contemplation. Theres an intentional ambiguity in the scene – the woman’s gaze is averted, her activity undefined, which invites speculation about her role within this private sanctuary.
The garden itself seems to be a carefully constructed stage for leisurely enjoyment, hinting at a cultivated taste and a desire for seclusion from the outside world. The presence of the dog and the womans relaxed posture suggest an established routine and a comfortable familiarity with the surroundings. It is not merely a depiction of nature but rather a representation of a curated environment designed for pleasure and repose.