Part 5 Prado Museum – Lanchares, Antonio de -- Ascensión del Señor
1620, 163 cm x 101 cm, Lienzo, Óleo.
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Here we see a man, bathed in golden light, rising amidst swirling clouds. His red robe billows dramatically, suggesting both power and transcendence. He appears to be gesturing upwards with one hand, perhaps indicating his destination or offering a benediction. Two cherubic figures flank him above, their bodies partially obscured by the radiant atmosphere, reinforcing the sense of divine ascent.
Below, the group of witnesses is rendered in varying degrees of light and shadow. A woman clad in dark blue robes stands prominently on the left, her arms outstretched towards the ascending figure. Her posture suggests profound sorrow and a desperate plea for connection. To her right, an older man, draped in white, kneels with his face turned upwards, his hands raised in what appears to be prayer or supplication. The faces of the other onlookers are partially obscured by shadow and distance, but their expressions generally mirror those of the central figures – a combination of sadness and reverence.
The artist’s use of chiaroscuro – the stark contrast between light and dark – is crucial to the paintings emotional impact. The bright illumination focused on the ascending figure draws the viewer’s eye upwards, while the darker tones surrounding the onlookers create a sense of depth and drama. This technique also serves to highlight the spiritual distance separating the earthly realm from the divine.
The overall effect is one of profound religious significance, depicting a moment of separation and transition. The subtexts revolve around themes of faith, loss, hope, and the mysteries of the divine. The painting seems to explore the human response to witnessing something beyond comprehension – a departure that evokes both sorrow for what is lost and anticipation for what lies beyond.