Ernst Josephson – Miss Anna Bagge, née Heyman
1880. 101×81.5
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman’s attire contributes significantly to the overall impression. She wears a dark, tailored jacket fastened at the front with small buttons, layered over what appears to be a high-necked blouse or dress. A delicate lace scarf is draped around her neck, adding a touch of refinement and fragility. The hat, adorned with similar lace detailing, frames her face and further emphasizes her elegance.
A bouquet of flowers is held in her gloved hands, presented diagonally across the foreground. The vibrant colors of the blooms – pinks, purples, and whites – offer a striking contrast to the somber tones of her clothing and the background. This juxtaposition could be interpreted as symbolizing vitality amidst restraint or perhaps hinting at a fleeting moment of joy within a more constrained existence.
The brushwork is loose and expressive, particularly noticeable in the rendering of the fabric and hair. The artist employed visible strokes that contribute to a sense of immediacy and naturalism. Theres an intentional lack of sharp definition; edges are softened, creating a hazy atmosphere around the figure.
Subtly, the painting conveys a feeling of quiet introspection. Her direct gaze, combined with the restrained color palette and the slightly melancholic expression, suggests a depth of character beyond mere surface appearance. The flowers, while visually appealing, do not entirely dispel this sense of underlying sadness or contemplation. They seem less like a celebratory offering and more like a poignant detail within a larger narrative – a symbol of beauty held delicately in the face of an unspoken burden.