#27761 Jean Hey (The Master of Moulins) (active:~1480-1505)

The composition presents a central female figure seated on a throne, holding an infant in her arms. She is enveloped within a radiant halo, suggesting divine significance. Surrounding her are eight figures with wings, presumably angels, arranged symmetrically on either side. The artist has positioned these celestial beings to create a sense of reverence and enclosure around the maternal figure and child.
The woman’s expression conveys a mixture of solemnity and tenderness as she gazes directly forward. Her posture is upright and dignified, reinforcing her elevated status. The infant appears calm and secure within her embrace, his gaze also directed outward. Their garments are richly colored – deep reds and golds dominate the palette – contributing to an overall impression of opulence and spiritual grandeur.
The background is a dark, uniform tone that serves to highlight the figures in the foreground. A band of Latin text runs along the bottom edge of the painting; its presence suggests a devotional purpose, likely intended to reinforce the narrative or significance of the scene depicted.
Subtleties within the work hint at deeper meanings. The symmetry and formal arrangement suggest an emphasis on order and divine harmony. The use of gold leaf in the halo and garments signifies purity and celestial light. The angels’ gestures – some with hands clasped in prayer, others bearing a crown – further underscore themes of worship and divine authority. The overall effect is one of profound piety and reverence, characteristic of devotional art intended to inspire contemplation and faith.