Sir Edward Burne-Jones – Troy Triptych - Study of Fame overthrowing Fortune
1875
Location: Museums and Art Gallery, Birmingham.
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To his left, a female figure lies prostrate, enveloped in drapery that obscures much of her form. Her face, visible through the folds of fabric, conveys an expression of defeat or resignation. The white garments contrast sharply with the tanned skin of the male figure, further highlighting their opposing roles. A complex arrangement of architectural elements – what appears to be a scaffolding or framework – is positioned behind the female figure, adding another layer of visual complexity and potentially symbolizing the structures that have crumbled in her fall.
The subtexts within this work revolve around themes of power, reputation, and the fickle nature of fate. The male figure likely embodies Fame or Glory, actively disseminating his influence through sound and action. His triumphant posture suggests a deliberate overturning of established order. The fallen female figure represents Fortune – traditionally understood as the unpredictable force that governs human affairs. Her defeat implies that renown and lasting legacy can supersede transient good luck or circumstance.
The artist’s choice to depict Fame as a youthful, physically powerful male contrasts with the passive vulnerability of Fortune, reinforcing the idea that earned recognition holds greater weight than mere chance. The use of light is also significant; it illuminates the active figure while casting the fallen one in shadow, further emphasizing their contrasting roles and the narratives central conflict. The overall impression is one of a decisive shift in power dynamics, where ambition and achievement triumph over arbitrary fortune.