Bartolome Esteban Murillo – La Cuisine des Anges
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A central figure, clad in a dark monastic habit, appears to be levitating towards a group of winged beings. These figures, presumably angels, are actively engaged in the preparation and distribution of the food. Their expressions range from serene contemplation to focused labor, contributing to an atmosphere of quiet devotion. The artist depicted them with varying degrees of detail; some possess delicate features and flowing drapery, while others appear more schematic, almost like assistants in a larger divine operation.
Several smaller figures, resembling cherubs or putti, are scattered amongst the angels, adding a sense of playful innocence to the scene. They interact with the food and the angelic figures, reinforcing the idea of abundance and divine provision.
On the left side of the painting, additional robed figures observe the central action from within an architectural setting – perhaps a doorway or alcove. Their posture suggests reverence and witness to a miraculous event. The architecture itself is rendered in a simplified manner, serving primarily as a backdrop for the unfolding narrative.
The color palette is dominated by earthy tones – browns, ochres, and siennas – interspersed with touches of blue and pink on the angelic figures. This limited range contributes to the painting’s overall sense of solemnity and spiritual weight. The light source, positioned behind the levitating figure, creates a halo effect, further emphasizing his importance within the narrative.
Subtly, the work explores themes of divine assistance, charity, and perhaps even humility. The abundance of food suggests not only physical sustenance but also spiritual nourishment. The presence of angels underscores the idea that acts of kindness and generosity are divinely sanctioned and supported. The contrast between the shadowed areas and the illuminated central scene creates a visual metaphor for faith – a journey from darkness to light, guided by divine intervention.