#47304 Alexandre De Riquer e Ynglada (1856-1920)

Here we see a drawing intended as a cover for a periodical titled La sembra (The Sowing). The composition is dominated by a stylized depiction of a figure engaged in sowing seeds, set against a backdrop suggesting a field or landscape. The artist employs a limited palette – primarily browns and yellows – to create a sense of warmth and earthiness.
The central figure, rendered with broad strokes and simplified forms, embodies labor and abundance. Their posture is dynamic, conveying movement as they scatter seeds. The exaggerated gesture of throwing the seeds upwards lends a theatrical quality to the scene, elevating the act of sowing beyond mere agricultural practice. It suggests a symbolic scattering of ideas or hope.
Framing this central image are decorative elements that contribute to the overall aesthetic. A stylized floral motif with star-like accents is placed on the left side, adding an ornamental touch and possibly referencing regional identity given the text below. The typography itself is carefully considered; La sembra is prominently displayed in a bold, slightly ornate font, anchoring the visual narrative.
The inclusion of dates (Tarrassa 13 de Juliol de 1902) and other textual information – including what appears to be pricing and administrative details – situates the drawing within a specific historical context as promotional material for an agricultural association. The text suggests a regional focus, further reinforcing the idea that this image was intended to resonate with a local audience.
The overall effect is one of purposeful design, blending elements of rural imagery, symbolic representation, and functional communication. It’s not merely illustrative; its a carefully constructed visual statement meant to convey values associated with agriculture, regional identity, and perhaps even progress or renewal – the sowing of something new.