#47308 Alexandre De Riquer e Ynglada (1856-1920)

The composition presents a figure enveloped within a dense floral arrangement, rendered in a style characterized by flattened perspective and decorative linearity. The central subject appears to be a woman, her form elongated and graceful, draped in flowing garments of pale yellow and cream. Her posture is one of gentle yielding; she leans slightly forward, her arms extended as if offering or receiving something unseen. A bird, seemingly a dove, rests upon her shoulder, its presence adding an element of serenity and perhaps symbolic significance.
The background is dominated by a profusion of foliage and blossoms, primarily in shades of yellow, gold, and muted greens. The flowers are not depicted with botanical accuracy but rather as stylized motifs contributing to the overall decorative effect. A word, PRIMAVERA, is integrated into the upper portion of the floral display, suggesting a connection to springtime or renewal.
The color palette contributes significantly to the painting’s mood. The warm tones create an atmosphere of richness and abundance, while the limited range of hues reinforces the sense of stylized beauty. The dark borders frame the scene, intensifying the focus on the central figure and her immediate surroundings.
Subtleties within the work suggest a narrative beyond mere representation. The woman’s expression is ambiguous – neither overtly joyful nor sorrowful – hinting at an internal state of contemplation or perhaps acceptance. The doves presence could symbolize peace, hope, or divine grace. The inclusion of PRIMAVERA reinforces themes of rebirth and flourishing, but the overall tone avoids overt celebration, instead presenting a more nuanced exploration of these concepts. There is a sense of melancholy underlying the beauty, as if acknowledging the fleeting nature of springtime’s promise.

The paintings aesthetic leans towards Art Nouveau, with its emphasis on organic forms, flowing lines, and decorative detail.