#47299 Alexandre De Riquer e Ynglada (1856-1920)

The composition presents a solitary female figure set within a stylized landscape dominated by autumnal hues. She stands centrally, her posture suggesting a contemplative or melancholic mood; one hand is raised to her wrist as if checking a timepiece, while the other rests gently on her chest. Her gaze is directed downwards, further reinforcing this sense of introspection.
The artist has employed a limited palette primarily consisting of ochres, browns, and muted reds, creating an atmosphere of fading beauty and decay. The background foliage, rendered in dense brushstrokes, rises vertically, framing the figure and contributing to a feeling of enclosure or isolation. Scattered across the foreground are numerous small, pale blossoms, their delicate forms contrasting with the heavier tones of the surrounding environment.
The woman’s attire is noteworthy; she wears an elaborate gown adorned with stylized floral motifs in shades of blue and yellow. The design appears ornamental rather than functional, suggesting a symbolic or allegorical significance. A wreath encircles her head, adding to her ethereal quality.
A word – TARDOR – is inscribed vertically along the right edge of the composition. Its placement suggests it’s not merely decorative but integral to the works meaning. Given the autumnal setting and the woman’s posture, “Tardor” likely signifies a concept related to late season, decline, or perhaps a sense of lost time.
The painting evokes themes of transience, nostalgia, and the passage of time. The figure appears suspended between past and present, caught in a moment of reflection amidst the beauty of decay. The overall effect is one of quiet sadness and poignant beauty, hinting at an underlying narrative that remains open to interpretation.