#47291 Alexandre De Riquer e Ynglada (1856-1920)

The composition presents a figure intertwined with tall grasses within a square format, framed by an elaborate decorative border. The central subject appears to be a female form, reclining in a languid pose amidst the vegetation. Her body is rendered with soft contours and muted tones of beige and brown, suggesting a deliberate avoidance of sharp definition or stark contrast. She holds what seems to be a small branch or twig near her face, as if offering it or examining it closely.
A large moth, depicted in shades of brown and orange, dominates the upper portion of the scene, positioned directly above the woman’s head. Its wings are spread wide, creating a visual connection between the figure and the natural world surrounding her. The moths presence introduces an element of fragility and ephemerality, hinting at themes of transformation and fleeting beauty.
The background is largely indistinct, with a pale, almost monochromatic treatment that allows the figure and the moth to remain in focus. This lack of depth contributes to a dreamlike quality, suggesting a space outside of conventional reality. The tall grasses surrounding the woman create a sense of enclosure and seclusion, reinforcing her connection to nature while simultaneously isolating her from any external context.
The decorative border, with its intricate patterns, serves as an ornate frame for this intimate scene. Its presence introduces a layer of artifice, suggesting that what is depicted is not necessarily meant to be taken literally but rather as a symbolic representation of something deeper. The contrast between the naturalistic depiction within the square and the stylized ornamentation around it creates a tension between realism and fantasy.
Subtexts within the painting seem to revolve around themes of femininity, nature, and transformation. The woman’s pose suggests vulnerability and receptivity, while her interaction with the twig implies an engagement with the natural world on a personal level. The moth, as a symbol of metamorphosis, adds another layer of meaning, hinting at cycles of change and renewal. Overall, the work evokes a sense of quiet contemplation and invites viewers to consider the complex relationship between humanity and the environment.