#47285 Alexandre De Riquer e Ynglada (1856-1920)

The drawing presents a stylized female figure integrated within a dense floral motif. The woman is positioned centrally, seated on what appears to be a low, cushioned bench or ledge, her posture suggesting contemplation rather than action. Her hair, elaborately styled with flowers and foliage, blends seamlessly with the surrounding vegetation, blurring the boundaries between human form and natural environment. She wears a flowing garment of ochre tones, its folds echoing the curves of the plant life that envelops her.
The botanical elements dominate the composition. A profusion of stylized leaves, stems, and blossoms – rendered in a limited palette of yellows, greens, pinks, and browns – creates an intricate tapestry around the figure. The plants are not depicted realistically; instead, they are simplified into decorative forms, emphasizing their ornamental qualities. A prominent floral arrangement, resembling a wreath or garland, frames the woman’s head, further reinforcing her connection to nature.
The overall effect is one of idealized beauty and harmonious integration with the natural world. The drawings aesthetic aligns with Art Nouveau principles, characterized by its curvilinear forms, organic motifs, and decorative emphasis. A sense of enclosure and intimacy is established through the dense arrangement of foliage, which seems to both protect and contain the figure.
The text accompanying the image suggests a connection to marquetry and botanical design, indicating that this drawing may have served as inspiration for decorative arts or furniture making. The inclusion of place names (Barcelona) and dates (1900) provides contextual information about its origin and period. The inscription La Botànica - Tablero en Marqueteria – Farmàcia de Grau Inglada implies a connection to botanical illustration intended for use in a pharmacy or related setting, potentially highlighting the medicinal properties of plants.