At the Dressing Table Félix Édouard Vallotton (1865-1925)

The composition presents a young woman seated before a dressing table, engaged in the act of grooming. She is positioned centrally within the frame, her gaze directed towards her reflection in a mirror that is not directly visible to the viewer. The light source appears to emanate from the left, illuminating her face and cascading down her long, flowing hair, which dominates much of the visual space.
The woman’s attire consists of a white dress with delicate lace detailing at the neckline, suggesting a degree of refinement or social standing. Her hairstyle is notable; dark bangs frame her forehead, contrasting sharply with the pale complexion and the abundant length of her hair. She holds a small object – likely a cosmetic tool – between her fingers, poised as if applying it to her face. This action suggests an interest in personal appearance and self-presentation.
The dressing table itself is covered with a dark green cloth, providing a somber backdrop for the objects arranged upon it. A vase containing yellow roses sits prominently on the surface, introducing a touch of vibrancy and perhaps symbolizing beauty or fleeting pleasure. Scattered around the flowers are various cosmetic items – a compact mirror, a small dish, and a string of pearls – further reinforcing the theme of personal adornment. A framed picture hangs on the wall behind the table; its subject matter is indistinct but appears to depict figures in an outdoor setting, offering a subtle contrast to the interior scene.
The overall atmosphere is one of quiet introspection. The woman’s expression is difficult to decipher definitively – it seems neither overtly joyful nor melancholic, but rather contemplative or perhaps slightly preoccupied. The limited color palette, dominated by greens and whites with accents of yellow, contributes to this subdued mood.
Subtly, the painting explores themes of vanity, self-awareness, and the performance of identity. The act of scrutinizing one’s reflection can be interpreted as a form of self-assessment or even a ritualistic examination of the self. The presence of luxurious objects – the pearls, the roses – hints at a certain level of privilege and perhaps an underlying anxiety about maintaining appearances. The obscured mirror reinforces this sense of introspection; we do not see what she sees, but are invited to consider her perception of herself.