Félix Édouard Vallotton – Petites Baigneuses
1895. Oil On Cardboard, 20,5×28,5cm.
Location: Private Collection
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The artist depicted three women engaged in various postures. One figure, positioned centrally, sits with her arms crossed over her chest, exhibiting an expression that suggests melancholy or introspection. Her posture is guarded, almost defensive. To her left, another woman leans forward, partially submerged in the water, her gaze directed downwards. A third figure, further to the left, appears to be emerging from the water, her body angled towards the viewer.
The color palette is restrained, dominated by blues and greens of the water, contrasted with the pale flesh tones of the figures and a sandy beige for the shoreline. The brushwork is visible, contributing to a sense of immediacy and emotional rawness. Light falls unevenly across the scene, highlighting certain areas while leaving others in shadow, which adds depth and complexity.
Subtleties within the painting suggest themes beyond mere depiction of bathing women. The figures postures convey vulnerability and introspection, hinting at an underlying psychological narrative. Their proximity to one another suggests a shared experience or emotional connection, yet their individual expressions indicate a degree of isolation. The birds in flight could symbolize freedom or escape, contrasting with the apparent confinement of the women within the water.
The overall effect is one of quiet contemplation and understated emotion. It evokes a sense of fragility and melancholy, inviting viewers to ponder the inner lives of these figures and the circumstances that might have brought them together in this secluded setting. The deliberate framing and limited color range contribute to an atmosphere of intimacy and introspection.