Félix Édouard Vallotton – High tide near Houlgate
1913. Oil on canvas, 72.5×54cm.
Location: Dübi-Müller Foundation
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The artist employed a limited palette, primarily utilizing earthy oranges, greens, greys, and whites to convey the atmosphere of a damp, overcast day. The application of paint appears thick and textured, particularly in the depiction of the sand and waves, suggesting a tactile quality that emphasizes the physicality of the environment. The light is diffused, creating a sense of quiet melancholy rather than vibrant energy.
Here we see a lone figure positioned on the edge of the dunes, facing towards the sea. Their posture suggests contemplation or perhaps a wistful gaze directed at the water’s edge. The small scale of the individual in relation to the expansive landscape reinforces a feeling of isolation and vulnerability within the face of natures power.
The patterns created by the receding tide are significant. They carve intricate designs into the sand, revealing underlying layers and textures. These ephemeral markings suggest the transient nature of time and the constant reshaping of the coastline by natural forces. The pools of water left behind mirror the sky above, blurring the boundaries between earth and heaven, a visual echo that contributes to the painting’s overall sense of quietude.
Subtly, the work evokes themes of solitude, impermanence, and humanitys relationship with the natural world. It is not a scene of dramatic action but rather one of quiet observation, inviting reflection on the passage of time and the individuals place within a larger, indifferent universe. The absence of other human presence amplifies this sense of introspection, suggesting that the figure’s experience is deeply personal and internal.