The Lie Félix Édouard Vallotton (1865-1925)

Here we observe a scene unfolding within a confined interior space. The composition is dominated by three figures: two adults engaged in an intimate embrace and a smaller figure positioned slightly behind them, facing forward. The arrangement suggests a triangular dynamic, with the central pair occupying the foreground and the third individual acting as a silent observer.
The couple’s posture conveys a sense of closeness, yet their faces are obscured, preventing direct emotional engagement from the viewer. Their bodies press together, but theres an awkwardness in the positioning; the man seems to be leaning into the woman, while she appears somewhat stiff and withdrawn. The woman is dressed in a striking red gown, a color that draws immediate attention and potentially signifies passion or deception.
The third figure’s gaze is directed outward, beyond the embracing couple. This individuals posture – straight-backed and alert – contrasts sharply with the relaxed, almost slumped positions of the adults. The placement of this figure suggests an element of exposure or revelation; they are witnessing something that is not entirely genuine.
The setting itself contributes to the overall atmosphere. A table bearing a vase of dark flowers sits adjacent to the sofa where the couple is positioned. The floral arrangement, with its drooping blooms, could be interpreted as symbolic of decay or hidden sadness. The background consists of vertical stripes in muted tones, which flatten the space and create a sense of artificiality. This lack of depth reinforces the feeling that the scene is staged or constructed.
The painting’s subtexts revolve around themes of deception, observation, and social facades. The obscured faces of the couple suggest a lack of transparency, while the presence of the third figure implies an awareness of this dishonesty. The color red, often associated with passion but also with warning signs, adds another layer of complexity to the narrative. Ultimately, the work seems to explore the gap between outward appearances and inner realities, hinting at a concealed truth within a seemingly ordinary domestic setting.