Angelica Kauffmann – Portrait of a woman, traditionally identified as Lady Hervey
c.1770. 75×58
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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The artist has rendered the woman’s skin with a delicate luminosity, employing subtle gradations to suggest volume and texture. Her complexion is fair, accentuated by rosy cheeks and lips, contributing to an overall impression of health and vitality. The eyes are particularly noteworthy; they possess a depth that conveys intelligence and perhaps a hint of melancholy.
Her hair is styled in the fashionable manner of the late 18th century – elaborately arranged with curls and adorned with a turban-like headpiece composed of white fabric, subtly patterned with what appears to be gold thread or embroidery. This detail speaks to an awareness of current trends and suggests a certain level of social standing.
The woman’s attire is equally indicative of her status. She wears a low-cut gown in pale hues, likely silk or satin, trimmed with intricate golden embellishments. The fabric drapes loosely around her form, hinting at the generous proportions characteristic of fashionable women during this period. A delicate lace collar frames her neck and décolletage, adding another layer of refinement to her appearance.
Beyond a straightforward depiction of physical attributes, the painting conveys an air of quiet confidence and understated elegance. The lack of overt jewelry or extravagant ornamentation suggests a preference for refined taste over ostentatious display. The soft lighting and muted background contribute to a sense of intimacy, drawing attention solely to the subject’s presence.
Subtly, there is a tension between the formality of the portraiture tradition and an attempt at capturing a more naturalistic expression. While adhering to conventions regarding pose and attire, the artist has striven for a degree of psychological realism that transcends mere representation. The slight downward tilt of her head and the gentle curve of her lips suggest a complexity of character beyond what might be expected from a conventional portrait.