John Opie – Almeria
1787 mezzotint engraved and pub. by John Raphael Smith (1752-1812)
Location: Private Collection
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The woman’s gaze is directed slightly off-center, conveying an impression of thoughtful introspection rather than direct engagement with the viewer. Her expression is subtle; it suggests a quiet confidence mingled with a hint of melancholy. The artist has paid particular attention to rendering the texture of her hair, which cascades in loose curls around her shoulders and neck. This detail contributes to a sense of naturalness and youthful vitality.
The subject’s clothing is elaborate yet restrained. A wide-brimmed hat, adorned with a dark ribbon bow, dominates the upper portion of the frame, partially obscuring her face and adding an element of mystery. The dress itself features delicate lace at the neckline and sleeves, suggesting refinement and status. The fabric appears to have a slight sheen, indicating quality and expense.
The lighting is carefully orchestrated; it illuminates one side of the woman’s face while leaving the other in shadow. This chiaroscuro effect enhances her three-dimensionality and adds visual drama. The artist has used subtle gradations of tone to model the contours of her face and neck, creating a sense of softness and realism.
Beneath the image, inscribed text provides a title – “Almeria” – and a short verse that speaks of beauty and virtue. This textual element suggests an intention to portray the subject as possessing both physical attractiveness and moral character. The inclusion of this inscription also hints at a potential biographical or allegorical significance beyond a simple likeness.
The overall effect is one of restrained elegance and understated nobility, indicative of a portrait intended for a discerning audience familiar with the conventions of aristocratic representation.