Thomas Moran – #08317
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist’s use of light is significant; it illuminates the waterfall and the upper reaches of the cliffs, creating highlights that draw the viewers eye upward. A softer light filters through the foliage in the foreground, establishing a contrast between the bright, exposed areas and the shadowed recesses of the valley. The color palette leans towards earthy tones – greens, browns, grays – with splashes of blue in the water and sky. This reinforces the impression of a wild, untamed environment.
Beyond the straightforward depiction of a landscape, the painting conveys a sense of awe and reverence for natures power. The sheer size of the waterfall and the imposing cliffs suggest an experience that transcends human comprehension. There is a deliberate absence of any human presence; this contributes to the feeling of solitude and reinforces the idea of nature as something separate from, and perhaps even superior to, humankind.
The arrangement of elements – the river leading the eye towards the waterfall, the framing cliffs creating a sense of depth – suggests an intentional design aimed at eliciting a specific emotional response in the viewer: one of wonder and humility before the immensity of the natural world. The painting’s subtext hints at a romantic idealization of wilderness, portraying it as a place of sublime beauty and untarnished grandeur.