Durer Engravings – Doubting St. Thomas
1509-10 Woodcut 12.7x9.7 VNG
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Surrounding him are several figures, presumably witnesses to this event. Their expressions convey a mixture of awe, curiosity, and perhaps apprehension. One figure, positioned closest to the central figure, extends his hand towards the wound, seemingly to verify its existence. His gesture is rendered with considerable detail, capturing the tension in his fingers and the slight forward lean of his body. The other figures are less distinct, appearing as a collective group observing the unfolding moment.
The composition is structured around a strong diagonal line emanating from the central figure’s wound, which directs the viewers eye across the scene. This line intersects with vertical elements – the upright postures of the surrounding figures and architectural details in the background – creating a dynamic interplay between movement and stability. The use of parallel lines to depict drapery contributes to the overall sense of order and formality within the composition.
Subtleties within the drawing suggest deeper meanings. The wound, prominently displayed, serves as a symbol of sacrifice and redemption. The act of verification by one figure speaks to themes of faith, doubt, and the need for tangible evidence in matters of belief. The surrounding figures’ varied expressions hint at the complex emotional responses elicited by such an extraordinary event. The light emanating from the central figure can be interpreted as divine grace or revelation, illuminating not only his physical form but also the spiritual significance of the moment depicted. The architectural backdrop, though sparsely detailed, provides a sense of context and suggests that this encounter takes place within a sacred space.