Durer Engravings – Ascension of St. Mary Magdalene
1504-05 Woodcut 1943.3.3598 VNG
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The figure stands atop a rocky outcrop, which serves as a grounding element within the otherwise ethereal depiction. Below this elevated position, a solitary monk is positioned on a lower prominence, observing the ascension. His posture suggests both awe and perhaps a sense of separation from the divine event unfolding before him.
The background reveals a landscape rendered with meticulous detail – a horizon line punctuated by distant hills and vegetation. The use of linear perspective creates a sense of depth, drawing the viewer’s eye towards the vanishing point beyond the ascending figure. A body of water stretches across the lower portion of the scene, adding to the overall feeling of expansiveness.
The subtexts within this work are layered and complex. The nudity of the central figure could be interpreted as symbolizing purity, vulnerability, or a return to an original state of grace. Her upward trajectory suggests spiritual liberation and union with the divine. The presence of the angels reinforces the notion of heavenly intervention and guidance.
The monk’s solitary observation introduces themes of human limitation and the inherent distance between earthly existence and the realm of the sacred. His position, both physically below and spiritually removed from the ascension, highlights the challenges involved in achieving spiritual transcendence.
The artists use of line is particularly noteworthy; the dense hatching creates a strong sense of volume and texture, while the delicate cross-hatching suggests luminosity and ethereal qualities. The overall effect is one of profound religious significance, conveying a narrative of divine grace and human aspiration.