Durer Engravings – Madonna of the Crescent
1510-11 Woodcut VNG
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The woman, presumably a mother figure, sits in a posture of quiet contemplation. She holds the infant close, her gaze directed slightly upwards and to the side, suggesting an inward focus or perhaps a connection to something beyond the immediate scene. The child appears secure within her embrace, his head turned towards his mother. Both figures are clothed in garments that suggest a period style – the woman’s attire features intricate folds and detailing, while the infant is swathed in fabric.
The artists use of line work is particularly noteworthy. Fine, precise lines define the forms, creating a sense of texture and volume. The cross-hatching technique is employed to build up areas of shadow and highlight, contributing to the overall tonal range of the drawing. This meticulous attention to detail lends the image a feeling of solemnity and reverence.
Subtextually, the crescent moon carries significant weight. In various cultural traditions, it represents cycles, femininity, and divine protection. The placement of the mother and child within this lunar embrace suggests themes of nurturing, celestial connection, and perhaps even a symbolic representation of innocence or purity sheltered from worldly concerns. The stars scattered around the moon reinforce the sense of a sacred space, hinting at a cosmic order that encompasses these figures.
The inscription at the bottom left corner indicates the date (1571) and what appears to be the artists name (Alberto Durer). This detail provides context for understanding the work within its historical and artistic milieu, suggesting an engagement with established iconographic traditions while also demonstrating a personal stylistic approach.