Marie-Anne de Bourbon-Conde (1697-1741) with the Mineral Water at Chantilly Jean Marc Nattier

The composition presents a woman seated prominently within a landscape setting, her posture conveying both authority and relaxed composure. She is draped in a voluminous blue robe, revealing a glimpse of skin at the shoulder and upper arm, suggesting a deliberate display of elegance and status. Her gaze is directed outward, beyond the immediate scene, lending an air of contemplation or perhaps surveying her domain.
To her left, a cherubic figure reclines on what appears to be a sculpted stone bench, holding a staff topped with foliage. This presence introduces a mythological element, hinting at divine favor or protection. The child’s pose is languid and playful, contrasting slightly with the womans more formal demeanor.
On her right, another female figure, seemingly a nymph or attendant, offers a silver vessel filled with liquid. She wears a simple white garment adorned with floral elements in her hair, emphasizing her role as a servant or personification of nature’s bounty. The gesture of offering suggests the provision of sustenance and well-being.
Behind them, a small pavilion is visible, situated on the edge of what appears to be a body of water. This architectural element likely represents a source of refreshment – perhaps a mineral spring – and reinforces the theme of health and prosperity associated with the scene. The landscape itself is rendered in a manner that blends naturalism with idealized beauty; the foliage is lush, the sky softly illuminated, creating an atmosphere of tranquility and abundance.
The overall effect suggests a celebration of aristocratic life, intertwined with classical mythology and the pursuit of pleasure and well-being. The arrangement of figures and objects conveys a narrative about access to resources, divine blessing, and refined leisure – a visual statement of privilege and status within a specific social context. The deliberate placement of bare feet on the stone base further emphasizes an uninhibited connection to nature and a rejection of formality.