Jean Marc Nattier – Portrait of a Woman as Diana
1752 oil on canvas
Location: The Cleveland Museum of Art, Cleveland.
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The woman’s clothing contributes significantly to the paintings layered meaning. She wears a pale, off-the-shoulder gown, revealing the shoulders – a fashionable detail indicative of status and refinement. A luxurious fur stole drapes across her shoulders, suggesting wealth and an association with wildness or untamed landscapes. The vibrant blue cloth thrown over the fur introduces a contrasting color that draws attention to the figure’s form and adds visual dynamism.
Crucially, she holds a hunting bow and arrow diagonally across her body. This element immediately shifts the interpretation away from a purely courtly portrait. It evokes imagery of Diana, the Roman goddess of the hunt, protector of women and wild animals. The presence of the bow and arrow suggests an active role, a rejection of passive femininity, and perhaps even a claim to power or independence.
The background is deliberately ambiguous. A dense, dark foliage obscures much of the scene, hinting at a secluded woodland setting. Faint indications of mountains in the distance suggest vastness and freedom. The limited depth of field further concentrates attention on the woman herself, reinforcing her central importance within the composition.
The floral adornment in her hair – a single red flower amongst delicate foliage – adds another layer of symbolism. It could represent beauty, innocence, or even a subtle allusion to the goddess’s association with nature and fertility. The overall effect is one of carefully constructed ambiguity; the woman appears simultaneously refined and wild, powerful and vulnerable, suggesting a complex personality and a deliberate attempt by the artist (or sitter) to convey a multifaceted identity.