Henry (Fussli Fuseli – The Three Witches appearing to Macbeth and Banquo
1800-1810 oil on canvas
Location: Private Collection
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The central element is an ethereal projection – a translucent, almost ghostly image of what appears to be a domestic interior: a table laden with objects, possibly food or ritualistic items, and figures seated around it. This projection lacks solidity; its edges blur into the surrounding darkness, suggesting a dreamlike or hallucinatory quality. The scene within the projection is rendered in muted colors, further emphasizing its detachment from reality.
The artist’s use of light is particularly significant. A single, concentrated beam illuminates the two men and casts long, distorted shadows that stretch across the foreground, contributing to an atmosphere of unease and foreboding. This dramatic lighting draws attention to their vulnerability and isolation within this unsettling environment. The contrast between the brightly lit figures and the enveloping darkness creates a visual tension that mirrors the psychological turmoil likely experienced by the characters.
Subtleties in posture and expression hint at complex emotional states. One figure grips a sword, suggesting a readiness for defense or action, while the other seems more passive, his gaze fixed on the apparition with an air of bewildered contemplation. The proximity of the two men implies a shared experience, yet their individual reactions suggest differing levels of engagement with the supernatural encounter.
The overall effect is one of psychological drama and impending doom. The scene evokes themes of fate, prophecy, and the corrupting influence of ambition. The ethereal nature of the apparition suggests that what is being witnessed transcends ordinary perception, hinting at forces beyond human control. The domestic setting within the projection juxtaposed with the dark, ominous landscape creates a sense of disruption – the intrusion of the supernatural into the familiar world.