Oudry, Jean – Baptiste (French, 1686-1755) French artists

The composition presents a still life arrangement centered around depictions of game and provisions. A substantial portion of a hare dominates the upper register; it is suspended by a hook, its flesh rendered with meticulous attention to anatomical detail – the musculature visible beneath the skin, the texture of the fur subtly indicated. The artist’s skill in capturing the raw physicality of the animal is evident.
Below the hare, a dark glass bottle sits adjacent to a clear glass decanter, both reflecting light in ways that suggest their materiality and volume. A small bird, likely a duck or similar fowl, lies partially concealed on a silver platter at the lower right. Beside it, a shallow bowl holds several eggs, adding another layer of domestic abundance to the scene.
The palette is restrained, relying heavily on earthy browns, ochres, and muted grays that contribute to a somber, almost austere atmosphere. Light falls unevenly across the objects, creating dramatic contrasts between illuminated surfaces and deep shadows. This chiaroscuro effect enhances the three-dimensionality of the forms and draws attention to the textures – the smooth glass, the rough fur, the glistening flesh.
The arrangement suggests themes of sustenance, luxury, and perhaps even mortality. The presence of raw game implies a hunt or preparation for consumption, while the eggs symbolize fertility and new beginnings. However, the stark realism with which the animal is depicted – its vulnerability exposed – introduces an element of disquiet. It’s not merely about food; its about the process of obtaining it, the inherent fragility of life, and the transient nature of abundance. The overall effect is one of quiet contemplation rather than celebratory display.