Pierre-Narcisse Guerin – Jealousy
oil on canvas
Location: Fine Art Museum (Musée des Beaux Arts), Angers.
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Behind this central figure, separated by a stark horizontal division in the composition, lies another scene shrouded in shadow. Here we see two figures engaged in an intimate embrace; their forms are indistinct, rendered as dark silhouettes against a murky background that suggests a fiery or turbulent atmosphere. The ambiguity surrounding these figures contributes to the overall sense of mystery and unease.
At the base of the platform, near the woman’s feet, lies a dog, its head resting upon a pile of gold coins. This detail introduces an element of potential wealth or prosperity, which seems incongruous with the palpable suffering displayed by the woman above. The presence of the animal also suggests themes of loyalty and perhaps even betrayal, as dogs are often symbolic of faithfulness.
The color palette is dominated by warm tones – oranges, reds, and browns – which contribute to a feeling of heat and intensity. The limited use of cooler colors, primarily in the green sash and the white drapery, provides contrast but does not alleviate the overall sense of emotional turmoil.
Subtly, the painting explores themes of possessiveness and suspicion. The woman’s gaze directed towards the embracing figures implies a feeling of intrusion or violation. The separation between her and the couple – both physically through the platform and emotionally through the implied narrative – highlights the isolating nature of jealousy. The gold coins at the dogs feet could be interpreted as material possessions that fail to provide solace, further emphasizing the destructive power of this emotion. Ultimately, the work conveys a profound sense of psychological distress and the corrosive effects of unchecked passion.