The Miracle of St Bernard in a Garland of Flowers Daniel Seghers (1590-1661)

Here we observe a devotional scene framed by an elaborate arrangement of flowers and foliage. The composition is structured around a central, sculpted-like grouping depicting three figures: a woman holding an infant, a man kneeling before her, and another figure seated nearby. They are rendered in muted tones, creating a sense of solemnity and distance from the viewer.
The floral garland that surrounds this core group dominates the visual field. A rich variety of blooms – roses, lilies, irises, and numerous other species – are meticulously depicted with an attention to detail characteristic of still-life painting. The flowers are not merely decorative; they appear to actively embrace the figures within, their stems and leaves intertwining to form a protective enclosure. This creates a sense of sanctity and divine grace.
The dark background serves to heighten the contrast between the brightly colored flowers and the subdued tones of the central scene. It also contributes to an overall feeling of enclosure and intimacy. The inscription at the bottom suggests a dedication or attribution, further emphasizing the work’s devotional purpose.
Subtly, the arrangement of the flowers might be interpreted as symbolic. Flowers often carry religious connotations – the lily representing purity, roses signifying love and sacrifice. Their abundance could signify divine blessing or the flourishing of faith. The framing device itself suggests a sacred space, an altar or reliquary where devotion is enacted.
The composition’s structure – the central scene nestled within the floral frame – creates a visual hierarchy that prioritizes the devotional subject matter while simultaneously celebrating the beauty and abundance of nature. This juxtaposition of human piety and natural splendor speaks to a broader theme of divine presence in the world.