Hermitage ~ part 04 – Degas, Edgar - Place de la Concorde
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Прогулки из нашей молодости с детьми, узнаваемо...
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On the left side, a man stands partially obscured by a dark post, his gaze directed towards the right of the frame. He wears a formal hat and coat, contributing to the overall sense of urban formality. Adjacent to him, a greyhound is leashed, its slender form adding an element of elegance and perhaps even a touch of aristocratic leisure. Two young boys follow closely behind the dog, their attire mirroring the man’s formality with matching hats and coats. The boy closest to the viewer holds a cane, suggesting a deliberate attempt at mimicking adult behavior.
A gentleman strides forward on the right side of the canvas, his posture conveying an air of self-assurance. He is dressed in a similar formal style, complete with a top hat and a neatly trimmed beard. A lit cigar is held between his fingers, adding to his image as a man of means and leisure. The boy walking alongside him mirrors his attire and demeanor, reinforcing the theme of imitation and social transmission.
The background recedes into a hazy distance, revealing buildings and what appear to be carriages or horse-drawn vehicles. These elements are indistinct, contributing to the overall sense of atmospheric perspective and emphasizing the foreground figures as the primary focus. The architecture suggests a grand urban setting, possibly indicative of a significant public space within a European city.
The painting’s subtexts revolve around themes of social class, urban life, and childhood imitation. The formal attire and restrained gestures of the figures suggest an upper-class milieu, while the depiction of children mirroring adult behavior hints at the transmission of societal norms and expectations. The inclusion of the greyhound further reinforces this sense of privilege and refined taste. The indistinct background and loose brushwork create a feeling of transience and observation, as if the artist captured a brief moment in the flow of urban life. Theres an underlying melancholy conveyed through the muted colors and the somewhat detached portrayal of the figures; they are present but not necessarily engaged with one another or their surroundings.