Gauguin, Paul – At the foot of the mountain Hermitage ~ part 04

The canvas presents a landscape dominated by lush vegetation and a looming mountainous backdrop. A large, dense tree occupies the central foreground, its foliage rendered in a vibrant interplay of greens, yellows, and dark shadows. The artist employed thick impasto strokes, particularly evident on the tree’s leaves, creating a tactile surface that suggests both vitality and an almost overwhelming abundance.
Below the tree stretches a field or clearing, painted with broad washes of reddish-brown pigment. This area appears somewhat flattened, lacking detailed perspective, which contributes to a sense of spatial ambiguity. A small figure is discernible within this expanse; their diminutive size emphasizes the scale of the natural environment and suggests a feeling of solitude or insignificance in relation to it.
To the left, slender palm trees rise vertically, anchoring the composition and drawing the eye upward toward the mountains. These palms are rendered with simplified forms, echoing the overall reduction of detail present throughout the scene. The mountainous terrain is depicted as a pale, hazy mass, its contours softened by atmospheric perspective. A few structures – likely dwellings – are nestled into the hillside, hinting at human presence but maintaining a distance from the primary focus on nature.
The color palette is striking: earthy tones are juxtaposed with bursts of yellow and green, creating a visual tension that prevents the scene from feeling entirely tranquil. The overall effect conveys a sense of remote isolation and an almost mystical connection to the natural world. Theres a deliberate avoidance of precise representation; instead, the artist seems more interested in capturing the essence or emotional resonance of the place rather than its literal appearance. This suggests a desire to explore themes of displacement, spirituality, and the power of nature to both inspire and overwhelm. The signature at the bottom right corner is rendered with a similar simplicity as the rest of the painting, further reinforcing this aesthetic choice.