Divina Commedia – 186 Virgin and Child surrounded by angels and a kneeling Bernard
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Surrounding this central pair are several youthful figures, identifiable as angels due to their delicate features and ethereal garments in pale pink hues. They appear to be engaged in an act of reverence, their hands pressed together in prayer or adoration. The arrangement of the angels creates a halo-like effect around the maternal figure and her child, reinforcing their sanctity.
In the foreground, two figures are depicted kneeling on what appears to be a patch of lush vegetation. Their attire suggests they belong to a monastic order; their robes are simple and unadorned, indicative of humility and devotion. One kneels closer to the central group, his face tilted upwards in apparent supplication or contemplation. The other is positioned slightly further back, maintaining a respectful distance while still participating in the scene’s overall atmosphere of piety.
The vegetation itself – a dense arrangement of stylized grasses and flowers – adds another layer of symbolic meaning. It suggests a paradisiacal setting, an earthly representation of divine grace and abundance. The artists use of gold leaf highlights certain elements – notably the halos around the figures and the details within the foliage – further enhances the painting’s sense of preciousness and spiritual significance.
The subtexts embedded in this work revolve primarily around themes of devotion, intercession, and the divine-human relationship. The kneeling figures likely represent individuals seeking solace or guidance from the maternal figure and her child. Their posture conveys a profound sense of humility and dependence on a higher power. The angels act as intermediaries between the earthly realm and the divine, reinforcing the notion that access to grace is mediated through spiritual beings. Overall, the painting communicates a message of faith, hope, and the possibility of encountering the sacred within the natural world.