#26761 Jesus De Perceval

The composition presents a landscape dominated by stylized mountain forms. The artist has eschewed naturalistic representation in favor of a highly expressive and abstracted approach. Here we see a series of overlapping peaks and ridges, rendered with bold, angular brushstrokes and an intense palette. The colors are not descriptive of reality; instead, they serve to convey emotional intensity and a sense of dynamism. Fiery reds and oranges dominate the central mountain mass, contrasting with cooler blues and greens in the background and along the lower slopes.
The application of paint is thick and impastoed, creating a textured surface that further enhances the feeling of energy and movement. The brushwork appears deliberate, contributing to the overall sense of constructed form rather than observed nature. Theres an absence of atmospheric perspective; depth isn’t suggested through subtle gradations in color or tone. Instead, the artist employs overlapping planes and abrupt shifts in hue to create a flattened, almost two-dimensional effect.
The lower portion of the painting features a horizontal band of yellow-gold, possibly representing a field or plain. Sparse vegetation is indicated with small, dark green strokes. The sky, visible at the top edge, is rendered with broad bands of blue and white, suggesting a turbulent atmosphere.
Subtly, theres an impression of confinement within the frame. The black borders emphasize the painting’s artificiality, drawing attention to its status as an object rather than a window onto another world. This framing reinforces the sense that we are witnessing not a landscape observed but one constructed from memory and emotion.
The work seems to explore themes of power, grandeur, and perhaps even anxiety. The jagged forms and intense colors evoke a feeling of raw energy and untamed forces. It’s possible to interpret this as an expression of inner turmoil or a response to the overwhelming scale of nature, filtered through the artists subjective experience.