Holeproof Hosiery ad 1921 Clarence Coles Phillips

Here we observe a full-length depiction of a young woman posed in a theatrical manner. She is positioned centrally within the composition, her body angled slightly towards the viewer. Her posture suggests both confidence and a deliberate display; arms are extended outwards, creating an expansive gesture that draws attention to her form. The figure’s gaze is directed downwards, conveying a sense of introspection or perhaps a studied modesty.
The womans attire contributes significantly to the overall effect. She wears what appears to be a loose-fitting, sheer robe in shades of blue and grey, adorned with an intricate pattern resembling spiderwebs. This garment partially obscures her form while simultaneously highlighting it, creating a visual tension between concealment and revelation. Beneath the robe, dark hosiery is visible, drawing focus to the legs and feet. The shoes are elegant, hinting at sophistication and refinement.
The background is dominated by a large, octagonal frame of warm yellow-gold, which isolates the figure and intensifies her presence. This framing device creates a sense of stagecraft, suggesting that the woman is performing for an unseen audience. A lighter, neutral tone surrounds the octagon, providing contrast and further emphasizing its shape.
Subtleties within the composition reveal layers of meaning beyond the surface level. The spiderweb motif on the robe carries multiple connotations. It can be interpreted as a symbol of entrapment or fragility, subtly referencing the delicate nature of the hosiery being advertised. Conversely, it might also suggest resilience and strength – spiders are known for their intricate webs and ability to capture prey. The woman’s pose, with her extended arms, evokes a sense of vulnerability but also control; she is both exposed and in command of her presentation.
The overall effect is one of stylized elegance and carefully constructed allure. The artist has employed visual cues – the theatrical pose, the suggestive attire, the framing device – to create an image that appeals to notions of femininity, sophistication, and desirability within a specific historical context. The work functions not merely as a portrait but as a sophisticated advertisement designed to evoke aspiration and desire in the viewer.