lrs Teniers David the Younger Monkey Tavern David II (the Younger) Teniers (1610-1690)

The composition presents a scene of boisterous revelry centered around a table laden with food and drink. Here we see four simian figures engaged in what appears to be a tavern setting. The artist has rendered them in anthropomorphic guise, each adorned with elaborate headwear – feathers and plumes suggesting a degree of ceremonial or theatrical importance. One figure, seated prominently on the left, is depicted playing a stringed instrument, seemingly leading the merriment. He wears a vibrant red coat and appears to be the focal point of the groups attention.
The other monkeys are actively participating in the scene. One leans forward, appearing to observe the musician intently, while another raises a tankard in what could be interpreted as a toast or gesture of approval. A fourth figure, positioned on the right, holds aloft a lit pipe, contributing to the atmosphere of indulgence and unrestrained enjoyment.
A central element is the table itself, which overflows with food – a mixture of fruits, meats, and other delicacies – contained within a large metal pot. Scattered around this pot are playing cards and what appears to be money, hinting at gambling or some form of wager being conducted alongside the feasting. The dark background serves to isolate the scene, intensifying the light on the figures and emphasizing their actions.
Subtleties in the rendering suggest deeper layers of meaning. The monkeys’ exaggerated expressions – a combination of amusement, greed, and perhaps a touch of mockery – could be interpreted as a satirical commentary on human behavior. Their imitation of human customs, particularly those associated with leisure and indulgence, implies a critique of societal norms or a cautionary tale about excess. The use of animals to represent humans is a common device for social satire, allowing the artist to comment on human failings without direct accusation. The scene’s overall tone suggests a playful but pointed observation of human vices – gluttony, gambling, and perhaps even vanity – presented through the lens of animal mimicry.