David II Teniers (Manner of) – Sheep Butcher
73×53
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The young butcher’s posture conveys both focus and a certain awkwardness; he leans into his task with a determined expression, yet theres a vulnerability evident in his stance. His attire – a simple tunic and dark trousers – suggests a working-class status, grounding the scene in everyday life. The details of his hands, rendered with considerable skill, highlight the precision required for this trade.
Below the rack, several sheep lie on the floor, some still covered in wool. A table to the left holds what appears to be a butchered head and other offal, draped with a white cloth that contrasts sharply with the darker tones of the surroundings. The presence of these discarded parts underscores the cyclical nature of life and death inherent in this profession.
The background is indistinct, hinting at an exterior space beyond the shed’s walls. A bare tree branch emerges from the darkness, its starkness echoing the utilitarian nature of the setting. This lack of detail directs attention to the foreground elements and reinforces a sense of isolation.
Subtly, the painting explores themes of labor, sustenance, and mortality. The butchers work is presented not as a gruesome act but as an essential component of survival. The quiet dignity with which he performs his task suggests a respect for the animal and the process that provides nourishment. The shadows and muted palette contribute to a somber mood, prompting reflection on the realities of existence and the interconnectedness of life and death. Theres a sense of timelessness; the scene could be set in any era where manual labor is essential for survival.