Emanuel Phillips Fox – The Green Parasol
1912 oil on canvas
Location: National Gallery of Australia, Canberra.
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The woman’s attire – a flowing dress rendered in shades of green – harmonizes with the parasol above, creating a unified color scheme that reinforces the feeling of tranquility. The brushwork is loose and impressionistic; details are suggested rather than precisely defined, contributing to an overall atmosphere of softness and immediacy. The texture of the wicker chair is palpable, achieved through visible strokes of paint.
Behind her, a profusion of roses in varying shades of red and pink bursts forth from what seems to be an archway or trellis. This backdrop provides a visual counterpoint to the cool greens of the woman’s dress and parasol, adding depth and vibrancy to the scene. The foliage is rendered with a similar looseness as the figure, blurring the boundaries between subject and environment.
The presence of the dog introduces a layer of domesticity and companionship. Its dark fur contrasts sharply with the womans pale skin and the bright colors surrounding her, drawing attention to their connection. It suggests a bond of affection and shared solitude.
Subtly, the parasol acts as more than just protection from the sun; it creates a visual frame around the figure, isolating her within this private moment. The downward gaze of the woman hints at an internal world – a reflection or perhaps a memory – that is not immediately accessible to the viewer. This invites speculation about her thoughts and feelings, adding a layer of psychological depth to the scene. Overall, the work conveys a sense of quiet beauty, personal connection, and fleeting moments of respite from the outside world.