Portrait of Eduard Count Keyserling Lovis Corinth (1858-1925)

The portrait presents a seated man in formal attire, rendered with a distinctive expressive style. He is positioned slightly off-center within the composition, facing forward but angled towards the viewers left. The background is indistinct, a wash of muted browns and greens that recede into obscurity, drawing focus to the figure.
The subject’s features are striking; his face appears gaunt, with pronounced cheekbones and sunken eyes. A slight asymmetry in his expression contributes to an overall impression of melancholy or introspection. His lips are thin and pressed together, suggesting restraint or perhaps a quiet sadness. The artist has employed broad brushstrokes and a limited palette dominated by dark tones – blacks, browns, and muted blues – which amplify the somber mood.
The man’s clothing – a dark suit with a crisp white shirt and bow tie – indicates a position of social standing and formality. However, the loose fit of the jacket and the slightly disheveled appearance of his hair introduce an element of informality that contrasts with the rigidness of his attire. His hands are clasped in his lap, adorned with a ring on one finger; this gesture conveys a sense of composure but also perhaps a degree of resignation or weariness.
The inscription visible at the upper left corner suggests a dedication or identification, though its precise meaning remains obscured. The overall effect is not merely that of a likeness, but rather an exploration of character and psychological state. Theres a deliberate avoidance of idealization; instead, the artist seems intent on capturing a sense of inner life – a portrait less concerned with outward appearance than with conveying a complex emotional landscape. The work suggests themes of introspection, social position, and perhaps even a subtle critique of societal expectations or personal burdens.