Ernest Arthur Rowe – RoweErnestArthur TheCottageGardenAtHaddonHall-We (f101)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The most striking feature is the elaborate topiary work. These sculpted forms, resembling fantastical creatures or abstract shapes, dominate the foreground, their dark green foliage sharply contrasting with the riot of color in the flowerbeds below. The hedges are not merely barriers but integral elements of the design, shaping the viewer’s perspective and creating a sense of enclosure and intimacy.
The flowers themselves appear abundant and varied – roses, delphiniums, and other blooms blend together in a tapestry of texture and hue. They are rendered with a delicate touch, their petals suggested rather than precisely defined, which enhances the impression of natural abundance. The path is partially obscured by foliage, hinting at a sense of discovery and inviting exploration.
In the background, glimpses of more distant garden areas can be discerned through gaps in the hedges, suggesting an expansive landscape beyond the immediate view. A portion of a building – likely a cottage or outbuilding – is visible on the right side, its weathered stone adding to the scene’s sense of history and established character.
The painting evokes themes of order versus nature, control versus wildness. The formal topiary represents human intervention in the natural world, while the profusion of flowers speaks to the inherent vitality and beauty of untamed growth. There is a subtle tension between these elements, suggesting a harmonious balance achieved through careful cultivation and design. The scene conveys an idealized vision of rural life – a place of peace, beauty, and quiet contemplation.