They toil not neither do they spin Eleanor Fortescue-Brickdale (1871-1945)

The composition presents a scene set within a lush garden, dominated by vibrant floral displays and a sense of tranquil leisure. A brick wall, partially obscured by climbing roses and tall spikes of delphiniums in shades of blue, forms the backdrop. The light is diffused, creating a soft atmosphere that emphasizes the textures of the foliage and fabrics.
In the foreground, a young woman reclines on what appears to be a stone bench or ledge. She wears an elaborate gown of cream-colored silk, accented with dark trim at the neckline and sleeves. Her posture suggests relaxation and indulgence; she holds a single rose in her hand, examining it with apparent pleasure. The rendering of her face is idealized, conveying a sense of beauty and refinement.
Further back, near the wall, stands another figure – a woman dressed in simpler attire, a brown coat over a white blouse and headscarf. She appears to be engaged in some domestic task, perhaps tending to the garden or preparing something within the unseen structure beyond the wall. Her posture is more upright and purposeful than that of the reclining woman, suggesting a different role or activity.
The arrangement of figures creates a visual contrast between idleness and labor. The foreground figure embodies ease and privilege, while the background figure represents work and responsibility. This juxtaposition hints at social commentary, possibly exploring themes of class distinction and the differing roles assigned to women within society.
The abundance of flowers contributes to the overall sense of opulence and beauty, but also subtly underscores the contrast between the two figures. The garden itself becomes a symbolic space – a place of both pleasure and potential toil. The artist’s attention to detail in rendering the textures of the fabrics, foliage, and brickwork suggests an appreciation for materiality and a desire to create a visually rich experience for the viewer.

The color palette is dominated by soft greens, blues, creams, and browns, contributing to the paintings overall sense of serenity and refinement.