al F010 Fortescue Brickdale Prospero and Ariel Eleanor Fortescue-Brickdale (1871-1945)

The composition presents a figure, presumably male, standing in profile and gazing upwards towards a spectral form suspended amidst dense foliage. The man is clad in what appears to be a scholarly or clerical robe, his posture suggesting reverence or supplication. He holds an open book, its contents obscured from view, which reinforces the impression of intellectual pursuit or perhaps a ritualistic act.

The figure above floats within a dark, almost cavernous space defined by tangled branches and leaves rendered in muted greens and browns. This aerial being possesses elongated limbs and delicate wings, evoking a sense of ethereal lightness and otherworldly grace. The pale coloration contrasts sharply with the darker tones of the surrounding environment, drawing immediate attention to its presence.

The artist employed a limited palette dominated by earth tones and blues, contributing to an atmosphere of melancholy and mystery. A distinct luminosity emanates from the floating figure, further emphasizing its supernatural nature. The background is simplified, reducing depth and focusing attention on the interaction between the two figures.

A decorative cartouche in the lower right corner contains text in French: Retourne aux éléments Sois libre, et porte-toi bien… followed by the attribution to William Shakespeare. This inscription provides a crucial contextual clue, suggesting that the scene depicts a moment from The Tempest, likely portraying Prospero and Ariel. The phrase itself translates roughly as “Return to the elements, be free, and behave yourself,” hinting at Ariel’s impending liberation from Prosperos service.

Subtly, the painting explores themes of power, freedom, and the relationship between the human and supernatural realms. Prospero’s grounded stance and scholarly attire represent control and intellect, while Ariel embodies unrestrained spirit and connection to nature. The upward gaze of Prospero suggests a relinquishing of authority or perhaps a bittersweet acceptance of Ariels departure. The overall effect is one of poignant farewell and the inevitable return to natural order.