Nature #288 Rien Poortvliet (1932-1995)

The artwork presents a study of owls, rendered with meticulous detail and a focus on texture. Here we observe three distinct depictions of these birds, each presented in a manner that emphasizes their individual characteristics while maintaining a consistent aesthetic style.
The composition is structured around the vertical axis, with each owl positioned to draw the eye upwards. The first owl, located at the upper left, faces directly forward, its gaze intense and unwavering. Its plumage is rendered with layered washes of brown, ochre, and grey, creating a sense of depth and volume. Fine lines delineate individual feathers, contributing to the overall realism.
The second owl, situated centrally, is shown in profile, perched on what appears to be a branch. The artist has captured the subtle curve of its body and the sharpness of its beak with precision. A small, stylized bird sits at the base of this depiction, seemingly unrelated to the larger owl, adding an element of unexpected scale contrast.
The third owl, positioned at the lower left, is presented in three-quarter view, nestled amongst a bed of foliage. The artist has employed a looser application of paint here, allowing the underlying texture of the paper to show through, suggesting a sense of natural camouflage and concealment.
A recurring motif throughout the work is the use of handwritten script – “rams wil,” boswil, and steenwil” – appearing near each owl. These words are not immediately decipherable but contribute to an air of mystery and perhaps allude to specific locations or subspecies, adding a layer of personal significance to the study.
The overall effect is one of quiet contemplation and reverence for the natural world. The artist’s skill lies in their ability to convey both the physical beauty and the inherent dignity of these creatures through careful observation and masterful technique. Theres an underlying sense of scientific inquiry, as if this were a naturalists record, but also a deep appreciation for the aesthetic qualities of the subject matter.