#18372 Max Klinger (1857-1920)

The drawing presents a theatrical scene rendered in stark monochrome. A man stands centrally, positioned slightly left of the vertical axis. He is dressed in elaborate attire – a flowing robe adorned with what appear to be medals or decorative chains – and his posture suggests an air of authority and perhaps even arrogance. His facial expression conveys a mixture of concern and scrutiny, directed towards a woman standing further to the right. A prominent mustache dominates his face, contributing to a sense of formality and possibly a deliberate attempt at characterization.
The woman is depicted in a high-waisted gown with puffed sleeves, her hands raised to her face in what seems to be an expression of distress or shock. Her gaze is directed upwards, away from the man, suggesting a degree of emotional distance or perhaps a reaction to something unseen by the viewer.
Below these two figures, emerging from a dark, undefined space, is a partial depiction of a human form – only the torso and head are visible. This figure appears to be rising from what could be interpreted as water or some other liquid substance. The head bears a striking resemblance to that of Medusa, with writhing snakes replacing hair.
The background is largely obscured by darkness, creating a sense of depth and mystery. A textured surface – possibly representing a curtain or backdrop – is visible behind the figures, adding to the theatrical atmosphere.
Subtextually, the drawing seems to explore themes of power, fear, and perhaps even transgression. The man’s position and attire suggest a figure of authority confronting a situation that evokes strong emotion in the woman. The presence of the Medusa-like figure introduces elements of mythology and horror, hinting at a confrontation with something monstrous or supernatural. The rising from the depths could symbolize emergence from the unconscious, repressed desires, or a hidden threat. The overall composition creates an unsettling atmosphere, leaving the viewer to ponder the narrative context and the relationships between these figures.