#18302 Max Klinger (1857-1920)

The drawing presents a man seated at a table, deeply engrossed in his work. He is positioned slightly off-center, facing towards the right side of the composition, which draws the viewers eye along with his gaze. The figure is rendered with meticulous detail using cross-hatching and stippling techniques, creating a sense of texture and depth. His posture suggests intense concentration; he leans forward, elbows resting on the table, scrutinizing what appears to be an etching plate or similar surface.
Above him, in cursive script, the word RADIERUNGEN is inscribed. This title, likely referring to etchings or engravings, immediately contextualizes the scene as one of artistic creation and labor. The lettering itself is rendered with a degree of casualness that contrasts with the precision of the figures depiction.
The setting appears to be a modest workshop or studio. A wooden table dominates the foreground, cluttered with tools and materials associated with printmaking – brushes, rags, and what seems to be a partially completed plate. The background is sparsely detailed, suggesting a simple wall and perhaps a window allowing for diffused light.
A small cat sits at the mans feet, adding a touch of domesticity and quiet companionship to the scene. It’s rendered with similar care as the central figure, its fur indicated by delicate lines. A signature appears in the lower right corner, further establishing the work as an original creation.
The subtext of this drawing revolves around the solitary nature of artistic practice. The mans absorbed expression and isolated setting convey a sense of dedication and introspection. The presence of the cat hints at a personal life existing alongside the demands of creative work. The title RADIERUNGEN not only identifies the subject matter but also subtly alludes to the process of erasure and refinement inherent in printmaking – a metaphor perhaps for the artists ongoing engagement with his craft, constantly revising and perfecting his vision.