Assumption of Mary Hans Rottenhammer (1564-1625)

Here we observe a composition dominated by upward movement and celestial light. A central figure, draped in flowing robes of green and white, ascends through swirling clouds towards an unseen upper realm. Her posture suggests both serenity and elevation, her arms outstretched as if embracing the heavens or offering benediction. The luminosity surrounding her creates a halo-like effect, emphasizing her divine status.
Below, a group of figures are arranged around what appears to be a sarcophagus or chest. Their gestures – raised hands, bowed heads – indicate reverence and awe in response to the ascending figure. The artist has rendered them with individualized features and varied expressions, conveying a sense of collective witnessing rather than uniform devotion. A palpable tension exists between their grounded presence and the ethereal ascent above.
The color palette is restrained, primarily utilizing earth tones – ochres, browns, and creams – which contribute to a feeling of solemnity and antiquity. The limited use of green in the upper figure’s garments provides a striking contrast against the muted background, drawing immediate attention to her ascension. The artists handling of light is particularly noteworthy; it isn’t merely illumination but an active element shaping the scene, creating depth and highlighting key figures.
Subtexts within this work seem to explore themes of faith, transcendence, and the transition from earthly existence to a higher plane. The sarcophagus could symbolize mortality or the physical body left behind, while the upward movement signifies spiritual liberation. The group’s reaction suggests not only personal piety but also the communal nature of belief and shared experience. There is an implied narrative – a moment of profound revelation witnessed by those remaining on earth – that invites contemplation about the mysteries of faith and the afterlife.

The date 1599 inscribed near the base of the sarcophagus provides a temporal anchor, suggesting a specific historical context for this depiction of spiritual ascent.