Favray, Antoine de – David George van Lennep (1712-97). Opperkoopman van de Hollandse factorij te Smyrna met zijn vrouw en kinderen, 1769-1771 Rijksmuseum: part 4

The composition presents a group portrait arranged in a formal setting, likely intended as a record of familial and professional status. A man, distinguished by his fur-trimmed coat and commanding posture on the left edge, appears to be a senior figure, possibly an employer or mentor. He stands alongside a younger gentleman, centrally positioned and dressed in more conventional European attire, who seems to be the focus of the scene. This individual is seated with his wife and children around him.
The woman occupies a prominent position, her posture suggesting both authority and maternal tenderness as she holds a young child on her lap. Her elaborate headdress and clothing indicate wealth and social standing. Several other children are clustered near them, their expressions ranging from solemnity to mild curiosity. A small boy sits at the feet of his parents, clad in vibrant blue garments with yellow stockings, adding a touch of youthful energy to the otherwise serious atmosphere.
To the right, another woman stands, similarly adorned in luxurious fabrics and an elaborate headdress. She holds a document or letter, perhaps signifying correspondence related to trade or business affairs. A man stands beside her, his expression reserved and his posture suggesting a subordinate role.
The color palette is dominated by rich tones of red, gold, blue, and brown, contributing to the overall impression of opulence and prosperity. The lighting is even, illuminating all figures equally, which reinforces the sense of collective importance. The background is dark and indistinct, drawing attention solely to the individuals depicted.
Subtly embedded within this seemingly straightforward portrayal are layers of meaning related to colonial trade and social hierarchy. The presence of children suggests a desire for continuity and legacy in a distant land. The elaborate costumes and luxurious fabrics underscore the family’s wealth derived from commercial ventures. The arrangement of figures, with the older man positioned as an authority figure alongside the younger gentleman, hints at a system of mentorship or patronage within the context of overseas trade operations. The inclusion of the document held by the woman on the right may allude to the complexities and responsibilities associated with managing international business relationships. Overall, the painting serves not only as a family portrait but also as a visual statement about power, wealth, and colonial enterprise during the eighteenth century.